ISSN 2451-2966

PUBLISHED BYtype2
PREVIOUS ISSUE

Polish
Theatre
Journal

1-2(7-8)/2019A New Landscape with a Rainbow
Change – now! Conference proceedings

Cover Page
CALL FOR PAPERS EN | PL
Rafał Pierzyński and Joseph Funnel in Alex Baczyński-Jenkins's performance Nim zakwitnie tysiąc róż (z Warszawą w tle) [Until a Thousand Roses Bloom (with Warsaw in the Background)], 2018, Foksal Gallery Foundation in Warsaw, photo: Karolina Zajączkowska. Courtesy: artist & Foksal Gallery Foundation
contents

INTRODUCTION

<i>Nim zakwitnie tysiąc róż (z Warszawą w tle)</i> [<i>Until a Thousand Roses Bloom (with Warsaw in the Background)</i>], Alex Baczyński-Jenkins's performance, Warsaw, 2018, photo: K. Zajączkowska. Courtesy: artist & Foksal Gallery Foundation
Agata Adamiecka-Sitek
A New Landscape with a Rainbow: Queerness and Hope
PDF_PL HTML PDF_EN

THE NEW QUEERNESS

<i>Języki przyszłości</i> [<i>Future Tongues</i>], Ania Nowak, 2018, Nowy Theatre, Warsaw, photo: Maurycy Jan Stankiewicz
Anka Herbut
A Few Queer Choreographies and a Horizon Imbued with Potentiality
PDF_PL HTML PDF_EN
<i>Malina</i>, dir. Marta Malikowska and Anka Herbut, premiere: 4 November 2018, The Zbigniew Raszewski Theatre Institute, photo: Karolina Gorzelańczyk.
Agata Adamiecka-Sitek, Marta Malikowska
Nakedly and Tenderly. Agata Adamiecka-Sitek in conversation with Marta Malikowska
PDF_PL HTML PDF_EN
<i>O mężnym Pietrku i sierotce Marysi. Bajka dla dorosłych</i> [<i>Valiant Pete and Little Orphan Mary: A Fairy Tale for Grownups</i>], Jolanta Janiczak, dir. Wiktor Rubin, premiere: 27 October 2018, Polski Theatre in Poznań, photo: Magda Hueckel
Zuzanna Berendt
A Bit of a Queer Production: What Happens and What Cannot Happen When a Queer Biography Meets Publicly Funded Theatre
PDF_PL HTML PDF_EN
<i>Dead Girls Wanted</i>, Jolanta Janiczak, Grzegorz Stępniak, dir. Wiktor Rubin, premiere: 22 February 2019, The Zagłębie Theater, Sosnowiec, photo: Monika Stolarska
Grzegorz Stępniak
The Power of Queer Failure
PDF_PL HTML PDF_EN

QUEER GENEALOGIES

Konrad Swinarski, Anna Polony and Wojciech Pszoniak during rehearsals for the <i>Wszystko dobre, co się dobrze kończy</i> [<i>All’s Well That Ends Well</i>] 1971, Stary Theatre in Kraków, photo: Wojciech Plewiński
Grzegorz Niziołek
Homosexuals in Konrad Swinarski’s Productions: A Language Problem?
PDF_PL HTML PDF_EN
<i>Przebudzenie wiosny</i> [<i>Spring Awakening</i>], Frank Wedekind, dir. Paweł Miśkiewicz, premiere: 5 February 1999, Stary Theatre, Kraków, photo: Wojciech Plewiński
Katarzyna Waligóra
Growing Sideways and Subverting Theatrical Hierarchies: Paweł Miśkiewicz’s Spring Awakening
PDF_PL HTML PDF_EN

KRYSTIAN LUPA: YOUTHFUL DOUBTS, MATURE (UN)CERTAINTIES

Krystian Lupa and Piotr Skiba during rehearsals for the <i>Proces</i> [<i>The Trial</i>], Warsaw, 2018, photo: Magda Hueckel
Stanisław Godlewski
Devotional Articles and a Unicorn: Queer Aspects in the Work and Bibliography of Krystian Lupa
PDF_PL HTML PDF_EN
Krystian Lupa (left) and Zbysław Maciejewski (right) near Jastrzębie-Zdrój, 1965. Photographer unknown. Source: Krystian Lupa’s private collection
Waldemar Wasztyl
‘We didn’t know who we really were’: Krystian Lupa and Zbysław Maciejewski
PDF_PL HTML PDF_EN
<i>Factory 2</i>, Krystian Lupa, dir. Krystian Lupa, premiere: 16 February 2008, Stary Theatre, Kraków, photo: Krzysztof Bieliński
Monika Kwaśniewska
Between Freedom and Manipulation: The Situation of Actors in Factory 2
PDF_PL HTML
Krystian Lupa during rehearsals for the <i>Proces</i> [<i>The Trial</i>], 2017, photo: Magda Hueckel
Krystian Lupa
Comment
PDF_PL HTML PDF_EN
Krystian Lupa during rehearsals for the <i>Proces</i> [<i>The Trial</i>], 2017, Warsaw, photo: Magda Hueckel
Piotr Gruszczyński
Bleak Futurism
PDF_PL HTML PDF_EN

INTRODUCTION

Drawings by Kasia Gotlib created during the 'Change-now' conference, Teatr Ochoty, Warsaw, 7 October 2019, photo: Karolina Jóźwiak
Agata Adamiecka-Sitek
Change - Now? Calling for Unavoidable
PDF_PL HTML PDF_EN
From the left: Agata Adamiecka-Sitek, Alina Czyżewska and Adam Bodnar during the 'Change - now!' conference, Teatr Ochoty, Warsaw, 7 October 2019, photo: Marta Ankiersztejn
Alina Czyżewska
‘There Is No Democracy in Theatre.’ Seriously?
HTML PDF_PL PDF_EN

KRAKOW

From the left: Iwona Kempa, Iga Gańczarczyk and Michał Telega during the 'Change - now!' conference, Teatr Ochoty, Warsaw, 8 October 2019, photo: Marta Ankiersztejn
Michał Telega
The Actresses, or Sorry for Touching You
HTML PDF_PL PDF_EN
In the first row from the left: Iwona Kempa, Iga Gańczarczyk and Michał Telega during the 'Change - now!' conference, Teatr Ochoty, Warsaw, 8 October 2019, photo: Marta Ankiersztejn
Iga Gańczarczyk
Testimonies and Declarations
HTML PDF_PL PDF_EN
From the left: Iwona Kempa and Iga Gańczarczyk during the 'Change - now!' conference, Teatr Ochoty, Warsaw, 8 October 2019, photo: Marta Ankiersztejn
Iwona Kempa
What to Do with What Is Now? At School and in the Theatre
HTML PDF_PL PDF_EN

WARSAW

From the left: Marta Miłoszewska, Beata Szczucińska, Agata Adamiecka-Sitek, Weronika Szczawińska, Małgorzata Wdowik and Agata Koszulińska during the 'Change - now!' conference, Teatr Ochoty, Warsaw, 7 October 2019, photo: Karolina Jóźwiak
Agata Adamiecka-Sitek, Agata Koszulińska, Marta Miłoszewska, Weronika Szczawińska, Beata Szczucińska, Małgorzata Wdowik
Allies: How We Broke the Silence and Made Documents
HTML PDF_PL PDF_EN

ŁÓDŹ

Jagoda Szelc during the 'Change - now!' conference, Teatr Ochoty, Warsaw, 8 October 2019, photo: Marta Ankiersztejn
Jagoda Szelc
What We Say to People: The Psychodynamics of Working on a Film Set
HTML PDF_PL PDF_EN

GLASGOW

From the left: Vanessa Coffey, Hilary Jones, Mccallister Selva and Thomas Zachar during the 'Change - now!' conference, Teatr Ochoty, Warsaw, 7 October 2019, photo: Marta Ankiersztejn
Vanessa Coffey, Hilary Jones, Mccallister Selva, Thomas Zachar
Shifting the Landscape: Why Changing Actor Training Matters in Light of the #MeToo Movement
HTML PDF_PL PDF_EN

PARIS

Elliot Marès during the 'Change - now!' conference, Teatr Ochoty, Warsaw, 7 October 2019, photo: Marta Ankiersztejn
Grégory Gabriel, Elliot Marès
Changing the Face of French Scene: Rethinking Assumptions for a Theatre That Mirrors Society
HTML PDF_PL PDF_EN

MAASTRICHT

From the left: Henk Havens and Bert Luppes during the 'Change - now!' conference, Teatr Ochoty, Warsaw, 8 October 2019, photo: Marta Ankiersztejn
Henk Havens, Bert Luppes, Lieke van der Vegt, Emma Buysse
Dutch Practice-Based Theatre Experiences
HTML PDF_PL PDF_EN